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{"id":3041300,"date":"2013-12-05T14:39:00","date_gmt":"2013-12-05T13:39:00","guid":{"rendered":"https:\/\/4players.fdpub.de\/allgemein\/escape_plan-2\/3041300"},"modified":"2024-07-18T13:16:55","modified_gmt":"2024-07-18T11:16:55","slug":"escape_plan-2","status":"publish","type":"post","link":"https:\/\/4players.fdpub.de\/test\/escape_plan-2\/3041300","title":{"rendered":"Escape Plan (Logik & Kreativit\u00e4t) – Escape Plan"},"content":{"rendered":"Arschbombe!<\/strong>
Zwei Knastbr\u00fcder auf der Flucht: Auf Vita waren Lil und Laarge l\u00e4ngst entkommen, da m\u00fcssen sie auf PlayStation 4 noch einmal ran, noch einmal wie depressive Geister durchs Bild schlurfen. Lil, der kleine geknickte Strohhalm, den ich mit dem Gas einer [GUI_PLAYER(ID=83067,width=377,text=Was auf Vita auf sympatische Art die F\u00e4higkeiten der Hardware vorgestellt hat…)] leckgeschlagenen Leitung zu einer Kugel aufblase und wie einen Ballon fliegen lasse. Laarg, der Kartoffelsack, unter dessen Hintern br\u00fcchiger Holzboden birst.
Dass Kulissen und Figuren weit von den technischen M\u00f6glichkeiten der neuen Konsole entfernt sind, st\u00f6rt nicht: Entwickler Fun Bits setzt die unwirklichen Ausbrecher auch auf PlayStation 4 liebevoll in Szene: In kruden schwarz\/wei\u00dfen Laborr\u00e4umen biegen sich alte Rohre, riesige Ventilatoren wuchten ihre angefressenen Metallfl\u00fcgel durch schwarze Abgase und aus elektrisch geladenen Kugeln gieren Blitze in den Boden. Ich bin irgendwo in den F\u00fcnfzigern, vielleicht noch fr\u00fcher. Die Lautsprecher pl\u00e4rren Klassik, blasen tr\u00fcbe Fagott oder klimpern so geheimnisvoll, als wenn der Rosarote Panther ums Haus schleicht.
Von klein auf gro\u00df<\/strong>
Tats\u00e4chlich hat mich in erster Linie das krumme “Terrarium”, durch das ich Lil und Laarg geleite, in seinen Bann gezogen. Dabei sollte ein ganz anderes Element im Rampenlicht stehen: das einfallsreiche Spiel mit den zwei Touch-Oberfl\u00e4chen. Denn Escape Plan widmete sich urspr\u00fcnglich den Besonderheiten der Vita. Auf dem Handheld bewegten die\n
<\/figure>\n
… funktioniert auf PS4 aufgrund der fehlenden Touchoberfl\u00e4chen<\/strong> l\u00e4ngst nicht so gut. \u00a9 4P\/Screenshot<\/div>\n<\/div>\nAnalogsticks nur die Kamera, Start und Select dienten lediglich der Men\u00fc-Einblendung.
Auf PS4 wurde die Steuerung an den Controller angepasst \u2013 und zwar so stark, dass ein gro\u00dfer Teil des Charmes verloren geht. Ein Beispiel: Hat Lil auf Vita so viel Limo getrunken, dass die Kohlens\u00e4ure in seinem Bauch Polka tanzt, kann ich von vorn und von hinten auf ihn drauf dr\u00fccken; damit er wie von der Tarantel gestochen durchs Bild zischt. Auf PS4 reicht ein schn\u00f6der Knopfdruck.
Nur hin und wieder wische ich \u00fcber das kleine Touchpad das DualShock 4, kippe den Bewegungssensor des Controllers oder zeichne Kreise, um Ventilatoren anzukurbeln. Will ich die Kulisse nach interaktiven Elementen absuchen, ziehe ich per Analogstick einen Cursor \u00fcber das Bild und dr\u00fccke die Kreistaste als Ersatz f\u00fcr das Antippen des Touchscreens oder R2 f\u00fcr das Ber\u00fchren der hinteren Touchfl\u00e4che. Auch das “Festhalten” des Bildschirms zum Abdecken eines Gaslecks verliert beim gew\u00f6hnlichen Klick an Reiz. \u00c4rgerlich zudem, dass die Kamera an die Position des Cursors gebunden ist. So kann ich sie nicht unabh\u00e4ngig mit dem rechten Stick bewegen.
Ein Luftballon voller R\u00e4tsel<\/strong>
Im Kern sind die R\u00e4tsel nat\u00fcrlich so gut wie auf dem Handheld. Mal muss ich \u00fcberlegen,\n
<\/figure>\n
Die schrulligen Helden<\/strong> und die krummen Kulissen haben allerdings nichts von ihrem Charme verloren. \u00a9 4P\/Screenshot<\/div>\n<\/div>\nwelchen Gegenstand ich bewegen kann, damit sich ein Weg \u00f6ffnet. Mal spielen Geschick und Timing beim Schieben, Ziehen oder Drehen die entscheidende Rolle. Clevere Kopfn\u00fcsse halten mich immer wieder zum Nachdenken an: Wie werde ich z.B. eine Wache los? Ich k\u00f6nnte an die Wand klopfen \u2013 die aufmerksamen Posten schauen sofort nach, wer da h\u00e4mmert. Jetzt noch den Balken unter ihren F\u00fc\u00dfen wegdr\u00fccken…
Doch was Kopf und Finger eine Weile auf Trab h\u00e4lt, versandet schnell. Escape Plan gehen leider bald die Ideen aus. Wenn Lil und Laarg nach etwa vier Stunden das Ende erreichen, ist die Luft l\u00e4ngst raus. Die R\u00e4tsel werden kaum komplexer, anspruchsvolles Fingerspitzengef\u00fchl ist zu selten gefragt.
Fazit<\/strong><\/h3>Ich w\u00fcrde dieses sympathische Duo gerne genau so m\u00f6gen wie bei seinem ersten Auftritt! Doch die Konsolenversion verzichtet auf vieles, das die Flucht von Lil und Laarge so aufregend machte: Das Tippen, Ziehen und Drehen der Kulissen geht fast vollst\u00e4ndig verloren \u2013 der profane Klick ist ein ganz anderes Erlebnis als das tats\u00e4chliche Anfassen des Spiels. Im Grunde muss ich den Entwicklern den Vorwurf machen, dieses Spiel \u00fcberhaupt aus seinem \u201enat\u00fcrlichen Lebensraum\u201c zu rei\u00dfen. Denn nur dort konnte es sich richtig entfalten. Nat\u00fcrlich: Die Zeichnung des drolligen Ausbrecher-P\u00e4rchens, die krumme schwarz\/wei\u00dfe Kulisse sowie viele anf\u00e4ngliche R\u00e4tsel sind nach wie vor charmant. Die schrulligen Ausbrecher stampfen, rollen, purzeln, fliegen und pupsen durch eine herrlich schr\u00e4ge Parallelwelt. Das Zuschauen und Knobeln ist noch immer befriedigend \u2013 richtig gut allerdings nicht mehr.<\/div><\/div>
Wertung<\/strong><\/h3>
PS4<\/div>
PS4<\/div><\/div>
<\/div>
Sympatische R\u00e4tsel, denen ohne die Touchoberfl\u00e4chen der Vita aber ein wichtiger Teil ihres Reizes verloren geht.<\/p><\/div><\/div> <\/div>
schn\u00f6des Knopfdr\u00fccken statt \u00e2\u20ac\u017eAnfassen\u00e2\u20ac\u0153 der Kulisse<\/li><\/ul><\/div><\/div>
Versionen & Multiplayer<\/h3>
Schnitte: Nein<\/li>
Splitscreen: Ja<\/li>
Multiplayer & Sonstiges: Als Cross-buy sowohl auf Vita als auch PS4 spielbar.<\/li><\/ul><\/div><\/div>","protected":false},"excerpt":{"rendered":"
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