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{"id":3041052,"date":"2019-04-24T09:25:00","date_gmt":"2019-04-24T07:25:00","guid":{"rendered":"https:\/\/4players.fdpub.de\/allgemein\/unheard\/3041052"},"modified":"2024-07-18T13:16:10","modified_gmt":"2024-07-18T11:16:10","slug":"unheard","status":"publish","type":"post","link":"https:\/\/4players.fdpub.de\/test\/unheard\/3041052","title":{"rendered":"Unheard (Adventure) – Genau hinh\u00f6ren!"},"content":{"rendered":"Ein Geist beim Spulen<\/strong>

Wer hat die Bombe in das Geb\u00e4ude geschleust? Wer hat sie gez\u00fcndet und hinter welcher Person versteckt sich der geheimnisvolle Gangsterboss? Diese drei Fragen soll man kl\u00e4ren, indem man die Aufzeichnungen einer Polizeistation anh\u00f6rt, in der zw\u00f6lf Menschen gestorben sind. Man bedient aber kein klassisches Aufnahmeger\u00e4t, sondern blickt auf den Grundriss des Geb\u00e4udes und schaut dabei zu, wie sich die anwesenden Opfer und Verd\u00e4chtigen dort bewegt haben. Als w\u00e4re man vor Ort, bewegt man dabei eine Art geisterhaftes Alter Ego umher, sodass man stets nur Unterhaltungen in dessen unmittelbarer N\u00e4he mitbekommt. Auf diese Art kann man sich auf einzelne Gespr\u00e4che konzentrieren.

Das st\u00e4ndige Hin und Her hat allerdings auch den Nachteil, dass man st\u00e4ndig vorspult, den Raum wechselt, zur\u00fcckspult, sich wieder in einen anderen Raum begibt usw. Dabei hilft es nicht gerade, dass die Bedienung der schmalen Zeitleiste recht unkomfortabel ist, man keine Markierungen setzen und nur umst\u00e4ndliche, im Grunde kaum lesbare Notizen einf\u00fcgen darf. Obwohl beide Werkzeuge \u2013 die einen Bildschirm gro\u00dfe \u00dcbersichtskarte sowie besagte Zeitleiste \u2013 denkbar profan sind, ist die Steuerung also \u00fcberraschend unhandlich.

Ein Mangel an Beweisen<\/strong>

Das ist umso bedauerlicher, da das Spiel abgesehen davon keine Interaktion verlangt. Obwohl sich s\u00e4mtliche Akteure durchs Bild bewegen, sieht man ja keine Figuren, sondern lediglich deren Positionsmarkierungen. Mit Blick auf das minimalistische\n
\"[GUI_STATICIMAGE(setid=85768,id=92586560)]\"<\/figure>\n
Das aufmerksame Anh\u00f6ren ausf\u00fchrlicher Sprachaufzeichnungen ist leider reine Flei\u00dfarbeit. \u00a9 4P\/Screenshot<\/div>\n<\/div>\nKonzept ist dieser Verzicht nachvollziehbar, trotzdem h\u00e4tten zus\u00e4tzliche Beobachtungen beim Aufsp\u00fcren m\u00f6glicher Hinweise eine Bereicherung sein k\u00f6nnen. W\u00fcrde wenigstens die Handhabung plastischer Aufnahmeger\u00e4te st\u00e4rker im Vordergrund stehen, sodass man sich besser in die haptische Arbeit als Detektiv hineindenken k\u00f6nnte\u2026

\u2026 oder h\u00e4tte man zumindest mehr zu tun, als maximal drei Beweise zu finden. Denn bis auf Ausnahmen muss man das Geh\u00f6rte nicht einmal miteinander kombinieren. Es f\u00fchrt nicht ein Hinweis erst zum n\u00e4chsten und \u00fcbern\u00e4chsten, bevor man endlich das entscheidende Puzzleteil findet \u2013 das gibt es zwar, doch im Wesentlichen h\u00f6rt man einfach ausufernd lange zu, bis eine Person irgendwann mal sagt, was Sache ist. Wom\u00f6glich h\u00e4tten optionale Entdeckungen oder m\u00f6gliche weiterf\u00fchrende \u00dcberlegungen die Detektivarbeit motivierender gemacht. Die gibt es aber nicht.

Zu \u201eguter\u201c Letzt ist Unheard au\u00dferdem sehr kurz. Das bezieht sich nicht einmal um die Spielzeit von wenigen Stunden, sondern auf die Tatsache, dass man gef\u00fchlt gerade erst das Tutorial verlassen und die ersten beiden \u201eechten\u201c F\u00e4lle gel\u00f6st hat, wenn man auch schon das Ende erreicht.

Fazit<\/strong><\/h3>Sch\u00f6n ist nat\u00fcrlich, dass man frei nach Hinweisen sucht, nicht an die Hand genommen wird, und dass \u00fcber st\u00e4ndig wechselnden Dialogsituationen glaubw\u00fcrdige Abl\u00e4ufe entstehen, die es in anderen Spielen so nicht gibt. Schade aber, dass das Anh\u00f6ren der Sprachaufzeichnungen ein letztlich inhaltsleeres und vor allem monotones Durchh\u00f6ren langer Texte ist. Anders konzipiert h\u00e4tte Unheard davon profitiert, wenn man die quietschenden Tasten alter Tonbandger\u00e4te bedienen, umfangreiche Notizen wie in Return of the Obra Dinn durchbl\u00e4ttern oder verd\u00e4chtigen Personen wie in Her Story Fragen stellen d\u00fcrfte. Wie man in einer futuristischen Umgebung audiovisuelle Aufzeichnungen studiert, hat Tacoma hingegen drei Klassen besser vorgemacht, weil man dort Abl\u00e4ufe auch visuell verfolgt und gleichzeitig die Umgebung erkundet. Unheard folgt der Tradition dieser einzigartigen Detektivspiele \u2013 ist von deren Klasse allerdings meilenweit entfernt.<\/div><\/div>

Wertung<\/strong><\/h3>
PC<\/div>
PC<\/div><\/div>
\"\"<\/div>

Gut gedachte, aber spielerisch z\u00e4he Detektivarbeit, die ihr Potential nie aussch\u00f6pft.<\/p><\/div><\/div> <\/div> \t\t\t

\n\t\t\t\t

Echtgeldtransaktionen<\/strong><\/h3>\n\t\t\t\t

"Wie negativ wirken sich zus\u00e4tzliche K\u00e4ufe auf das Spielerlebnis, die Mechanik oder die Wertung aus?"<\/p>\n\t\t\t\t

\n\t\t\t\t\t
Gar nicht.<\/div>
Leicht.<\/div>
Mittel.<\/div>
Stark.<\/div>
Extrem.<\/div>\t\t\t\t<\/div> \n\t\t\t\t
\n\t\t\t\t\t

Gar nicht.<\/h4>\n\t\t\t\t\t
\n\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t

  • Es gibt keine K\u00e4ufe.<\/p><\/li>\t\t\t\t\t\t<\/ul> \n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div> \n\t\t\t<\/div> \n\t\t\t

    Pro & Kontra<\/strong><\/h3><\/div><\/div>

    Gef\u00e4llt mir<\/h3>
    • freies Suchen nach Hinweisen ohne k\u00fcnstliche Hilfen<\/li>
    • knifflige, relativ vielschichtige F\u00e4lle<\/li><\/ul><\/div>

      Gef\u00e4llt mir nicht<\/h3>
      • erm\u00fcdendes Abh\u00f6ren teils sehr langer Aufnahmen nach maximal drei Beweisen<\/li>
      • nahezu kein Kombinieren von Indizien<\/li>
      • Darstellung als visuelle Abfolge von Geschehnissen, aber ohne sichtbare Akteure, passt nicht zu reinen Audioaufzeichnungen<\/li>
      • umst\u00e4ndliches Handhaben des Fortschrittsbalkens<\/li>
      • nahezu unbrauchbares Erstellen von Notizen und Fehlen sonstiger Hilfswerkzeuge<\/li>
      • Spiel h\u00f6rt auf, wenn es gef\u00fchlt erst loszugehen scheint<\/li>
      • keine deutschen Texte<\/li><\/ul><\/div><\/div>

        Versionen & Multiplayer<\/h3>
        • Preis zum Test: 5,69 Euro<\/li>
        • Sprachen: ausschlie\u00dflich Englisch und Chinesisch<\/li>
        • Schnitte: Nein<\/li>
        • Splitscreen: Ja<\/li><\/ul><\/div>

          Vertrieb & Bezahlinhalte<\/h3>
          • Online-Aktivierung: Ja<\/li>
          • Online-Zwang: Nein<\/li>
          • Account-Bindung: Ja<\/li>
          • Verf\u00fcgbarkeit: Digital<\/li>
          • Hauptverf\u00fcgbarkeit: Digital<\/li>
          • Bezahlinhalte: Nein<\/li><\/ul><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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