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Stilistisch ist das minimalistische, kubische, sich auf steriles Wei\u00df konzentrierende Artdesign gar nicht weit weg von Portal, der Mutter aller Ego-Puzzler. Und die sich mitunter mit der Bewegung des Spielers verschiebende bzw. verformende Umgebung verfehlt ihre Wirkung auch mehr als drei Jahre nach Erstver\u00f6ffentlichung nicht. Vor allem im Zusammenspiel mit der f\u00fcr den Director’s Cut von Rob Yescombe (Haze) geschriebenen Story, die immer wieder mit gesprochenen Fragmenten die Ruhe unterbricht, entsteht eine interessante Atmosph\u00e4re, die den Puzzler im Vergleich zur Urversion deutlich aufwertet. Die Hauptfigur bekommt eine Pers\u00f6nlichkeit. Auch der neue, immer angenehm im Hintergrund schwebende Soundtrack tr\u00e4gt dazu bei, die Zeit angenehmer zu gestalten, die man in dieser merkw\u00fcrdigen W\u00fcrfelwelt verbringt. Und wieso das alles? Um die Erde zu retten. Denn der riesige W\u00fcrfel, in dem man sich den Weg ins Zentrum bahnen muss, rast auf den blauen Planeten zu.
\n
<\/figure>\n
Die Umgebungs muss immer wieder manipuliert werden, teils ist zeitliche Planung n\u00f6tig. \u00a9 4P\/Screenshot<\/div>\n<\/div>\nDoch nat\u00fcrlich ist die Story nur Mittel zum Zweck. Es stehen immer noch die Puzzles im Vordergrund, die sich auf die Manipulation verschiedenfarbiger W\u00fcrfel konzentrieren. Rote W\u00fcrfel z.B. k\u00f6nnen aus W\u00e4nden, B\u00f6den oder Decken ausgefahren werden – teils in mehreren Stufen. Die blauen kann man als Katapulte benutzen. Lila Schalterw\u00fcrfel drehen den Abschnitt um 90 Grad. Gelbe kann man zu Stufen umfunktionieren usw. W\u00e4hrend jedes Element f\u00fcr sich nicht sonderlich anspruchsvoll ist und mit einem entspannten R\u00e4tsel eingef\u00fchrt bzw. erkl\u00e4rt wird, kommt sp\u00e4ter mit Kombinationen und zeitlich gut abgestimmten Aktionen die Herausforderung.
Vermaledeite W\u00fcrfelei<\/strong>
Wenn man zus\u00e4tzlich Lichtstrahlen umleiten, Objektfarben ver\u00e4ndern, Kettenreaktionen in Gang setzen, mit Magneten hantieren oder eine Kugel \u00fcber diverse W\u00fcrfel-Manipulationen an ihr Ziel leiten muss, werden die grauen Zellen gefordert. Allerdings manchmal \u00fcber das normale Ma\u00df hinaus. Wie auch die Portal-Teile, in denen bei den gestellten Aufgaben die L\u00f6sung nicht immer auf Anhieb ersichtlich ist, kann hier eine Mischung aus Ausprobieren und Gl\u00fcck zum Ziel f\u00fchren, bevor man die logischen Anforderungen erfasst hat. Dieser Hang zu “Trial&Error” wird in den Abschnitten zus\u00e4tzlich verst\u00e4rkt, in denen man in abgedunkelten Zonen unterwegs ist oder wenn man auch auf schnelle Reflexe angewiesen ist, die aber angesichts der zwar direkten, aber leicht tr\u00e4gen Steuerung nicht ohne Weiteres aus den Fingern flie\u00dfen.
\n
<\/figure>\n
Neu im Director’s Cut: Der Herausforderungs-Modus “Against the Qlock” \u00a9 4P\/Screenshot<\/div>\n<\/div>\nWas anf\u00e4nglich wie eine interessante Abwechslung wirkt, verliert hier zu schnell seinen Reiz, wird bis an den Rand der Ertr\u00e4glichkeit strapaziert – und leider ab und an dar\u00fcber hinaus. Denn auch den Wettstreit bzw. die Zusammenarbeit mit anderen Spielern sucht man in den Kampagnen-Abschnitten vergeblich. Die vergleichenden Highscore-Listen gibt es nur im f\u00fcr den Director’s Cut erg\u00e4nzten Modus “Against the Qlock”. Hier warten zehn Abschnitte nicht nur mit R\u00e4tseln, sondern auch mit zahlreichen Geheimnissen, die man alle l\u00fcften sollte, wenn man auch nur den Hauch einer Chance haben m\u00f6chte, in zeittechnisch relevante Bereiche vorzudringen.\n
\n
\n
Fazit<\/strong><\/h3>\n\n\nDer Ego-Puzzler ist weiterhin in den unnachgiebigen Griffen von GlaDOS und der Portal-Serie. An dieser Vormachtstellung wird auch Q.U.B.E. als Director’s Cut nicht r\u00fctteln k\u00f6nnen. Doch im Vergleich zur Urversion sorgen sowohl der frische Soundtrack als auch die dringend ben\u00f6tigte Geschichte f\u00fcr einen ordentlichen Atmosph\u00e4reschub. Die W\u00fcrfel-Manipulationen warten \u00fcber sieben Sektoren mit immer schwerer werdenden R\u00e4tseln auf, verlassen sich aber schlie\u00dflich zu sehr auf Trial&Error – auch weil die Steuerung immer noch nicht ihre leichte Tr\u00e4gheit abgelegt hat. Eine Mehrspieler-Option fehlt weiterhin, stattdessen kann man versuchen, sich in “Against the Qlock” durch die Highscore-Listen nach oben zu puzzeln. Ein interessantes Konzept f\u00fcr zwischendurch, dem allerdings schon mittelfristig die Puste ausgeht.\n<\/div>\n<\/div>\n\n
Wertung<\/strong><\/h3>
PS4<\/div>
PS4<\/div><\/div>
<\/div>
Solider Puzzler mit meist cleveren R\u00e4tseln, die allerdings gegen Ende zu sehr Richtung Trial&Error gehen.<\/p><\/div><\/div>
One<\/div>
One<\/div><\/div>
<\/div>
Solider Puzzler mit meist cleveren R\u00e4tseln, die allerdings gegen Ende zu sehr Richtung Trial&Error gehen.<\/p><\/div><\/div> <\/div> \n\n
\n
\n
Pro & Kontra<\/strong><\/h3>\n<\/div>\n<\/div>\n\n\n
\n
\n
Gef\u00e4llt mir<\/h3>\n\n\n
\n
sieben Sektoren mit kontinuierlich komplexer werdenden Puzzles…<\/li>\n\n\n
Geschichte im Director’s Cut wertet das Spiel auf<\/li>\n\n\n
gute englische Sprachausgabe<\/li>\n\n\n
minimalistisches Design<\/li>\n\n\n
stimmungsvoller Soundtrack<\/li>\n\n\n
“Against the Qlock”: zehn Herausforderungs-Abschnitte<\/li>\n\n<\/ul>\n<\/div>\n\n\n\n
\n
Gef\u00e4llt mir nicht<\/h3>\n\n\n
\n
… die allerdings manchmal frustrieren k\u00f6nnen<\/li>\n\n\n
Tendenz zu Trial&Error, vor allem in sp\u00e4teren Passagen<\/li>\n\n\n
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